Steve
Griggs - Reviews
Jones
for Elvin - Volume 2
CD review
by Robert Spencer from Cadence (October 2000)
Steve Griggs says
that working with Elvin Jones game him "a brief glimpse of the support,
freedom, and passion that John Coltrane must have experienced every
night for years in the notorious 1960's quartet." It's clear from the
first moments of "Reunion Dues" that that kind of recreation is what
Griggs has in mind, for despite the differences in instrumentation this
first track is very much a homage to the modal excursions of that great
quartet. Griggs himself plays in what must certainly be conscious homage
to Trane and Pharoah, and Jay Thomas and Milo Peterson make it easy
to imagine what it might have been like if Trane had been able to bring
Lee Morgan and Wes Montgomery along on those modal flights of fancy.
But his show mainly features Elvin Jones, so that what emerges is part
homage and part re-creation: "Wow! Those guys sound like the old Coltrane
group! And that drummer! He sounds just like--himself!"
Fortunately, the
rest of the program is not so heavily indebted to the past. "The More
I See You" is a bright jaunty thing on which Elvin plays a little Latin
and marvelously punctuates Griggs' solo. The ballad "Kavanah" features
the marvelous Thomas (who sticks to trumpet on this disc--although a
two-sax workout might have called up some old ghosts for Elvin and had
some interesting results). "Oscar's" has a complex head recalling Morgan
and McLEan (as does "Keiko's Kimochi") and featuring some of Elvin's
most intriguing multirhythmic adventures. "Zones for Elvin" is an eerie,
hypnotic track that sets up Elvin well. "Chromatic Carioca" is another
nice ensemble tune that brings it all to a bustling end.
Elvin Jones is one
of the greatest drummers ever, and this is a good setting in which to
hear what he can do."