Steve
Griggs - Reviews
Jones
for Elvin - Volume 2
Seattle Magazine
- April 2000 issue
It's not every day
that an artist gets to study with a great master. How many painters
apprenticed with Picasso? How many architects worked under Frank Lloyd
Wright?
Only a handful get
to live out that kind of dream.
In the case of Seattle
saxophonist Steve Griggs, he made his own dream come true. For three
days in the fall of 1998, Griggs hired one of the most influential musicians
of the 20th century - jazz great Elvin Jones.
Known for his polyrhythmic
cascades on the drums - most famously with the John Coltrane Quartet
of the 1960s - Jones has influenced not only every jazz artist of the
last 40 years, but has had profound impact on they rhythmic complexity
of contemporary classical, rock and pop music as well. Every serious
drummer and percussionist alive today owes much to Elvin Jones.
Griggs made the
most of his three-day immersion in Jonesian art. He recorded two CDs
worth of music, the second of which will be released April 12. "Jones
for Elvin-Volume 2" features a quintet with some of Seattle's finest
musicians: Jay Thomas on trumpet, Milo Petersen on guitar, Phil Sparks
on bass, Griggs on saxophone and Jones on drums.
"Jones for Elvin-Volume
1" was one of the best recordings of 1999, receiving radio play all
over the country and garnering strong reviews. "Volume 2" has more of
the same-tasty original tunes by Griggs in a straight-ahead vein reminiscent
of Coltrane, Wayne Shorter and Herbie Hancock.
"Working with Elvin
gave me a brief glimpse of the support, freedom and passion that John
Coltrane must have experienced every night," Griggs says in the CD notes.
"I was in the Elvin zone."
Check out Griggs
during a flurry of gigs surrounding the CDs release. Alas, he will be
without Elvin, but his musical spirit and inspiration surely will be
in the air.
-Gordon Todd
Gordon Todd writes
about jazz and hosts "Drive Time Jazz" Thursdays 6-9 a.m. on KBCS 91.3
FM.